Black Music and the Civil Rights Movement Essay -- Black Civil Rights

On July 5, 1954, forty-nine days after the Supreme Court pass on down the decision on the Brown vs. Board of Education case, a nineteen year old truck driver recorded an Arthur Crudup colour track called Thats All Right Mama (Bertrand 46). Memphis disc bonk Dewey Phillips found the cut and played it on his radio show a few weeks later. He received calls all over from people, mostly white, who valued to hear more. He quickly located the musician and brought him into the studio for an interview, audiences were take aback to learn that venereal disease was white (Bertrand 46). Elviss music brought barren music into white mainstream pop culture almost overnight. The breakthrough of Elvis happening almost simultaneously with the dawn of the Civil Rights Movement was no accident. As any scholar of the humanities would tell you that often propagation after a great war there exists a date of enlightenment, prosperity and reformation. One such cultural revival took place in this nation after the closing of the Second World War. The progressive cerebration of the 50s nurtured new ideas and cultures including the Civil Rights Movement and the fast spread of rock and roll. In an essay entitled Color written to Esquire magazine in 1962 the litterateur James Baldwin describes the revival of white culture after WWII with the following passing The Puritan dicta still inhabit and inhibit the American body and soul. enjoyment and sin have been synonyms here for many generations that the former can straight be defended only on therapeutic, i.e. pragmatic grounds, necessitating a similar metabolic process for the latter. Now it is suggested that we Live-a little (Baldwin, Color 673)The Puritan dicta outlined by Baldwin represents the American ideology ... ....http//links.jstor.org/sici?sici=0261-1430%28199004%299%3A2%3C151%3ANJTSOS%3E2.0.CO%3B2-TLewis, John with DOrso, Micheal. Walking With the Wind. New York Simon and Schuster, 1998. McKeen, W illiam. William McKeen.com. 2004. 9 April 2004McMicheal, Robert K. We insist Freedom Now Black Moral Authority and the Changing contrive of Whiteness. American Music 16.4 (winter, 1998) 375-416.Shank, Barry. That Wild Mercury Sound Bob Dylan and the put-on of American Culture. Boundary 2 29.1 (2002) 97-123.Yamaski, Mitch. Using Rock N roll to Teach the muniment of Post World War II America. The History Teacher 29.2 (Feb., 1996) 179-193.